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Vol. 6
Letter
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John Mackinnon's Part of the Prince's Escape, as given by Walkingshaw to Elphinston.
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Letter to MacDonald of Bellfinlay, March 29. 1749

Bigland's account of a new Scots Dance upon a Stage in London, March 3d, 1748/9.

Metadata
Titles
Table of Contents
Bigland's account of a new Scots Dance upon a Stage in London, March 3d, 1748/9.
Forbes
Copy of Paragraph of a Letter (dated London March 3d 1748/9) from Ralph Bigland to Alexr Macmorland Peruke-maker in Leith.
Steuart
Bigland's account of a new Scots Dance upon a Stage in London, March 3. 1748/9
Paton
Paragraph of a Letter from Ralph Bigland to Alexander MacMorland
Pages
Forbes
Vol. 6, 1227—1229
Paton
Vol. 2, 254—255
Credits
Encoder (metadata)
Alyssa Bridgman
Transcriber
Shauna Irani
Proofreader
Bo Pearson
Proofreader
Kaitlyn MacInnis
Encoder
Kaitlyn MacInnis
Status
Document
transcription proofed
Metadata
metadata done
Correspondence
sent
Person Ralph Bigland
Date03 Mar 1749
PlaceLondon
Place
received
Person Alexander Macmorland
PlaceLeith
acknowledgements
compliments to
enclosed in
enclosures
requests
remediation
in Forbes
Transcription
1227 (1227)
┍

Copy of a Paragraph of a
Letter (dated London March 3d
1748/9
) from Ralph Bigland to
AlexrAlexander Macmorland Peruke-maker
in Leith.

I believe I forgot to tell you that
the Gay World at Bath and other
parts of England seem very fond of
white rosed Buttons, plaid or Tartan.
Some of the very HorsesHorses' Furniture
is so, so you see what a humour
prevails. I have been since I came
here been lately two or three Times
at the Play, and what invited me
most was to see a New Dance call-
ed
the ScottsScots Dance consisting
of about 20 Lads and Lasses
dress’ddressed after the Highland Fashion.
The Scene represents a very roman-
tic
rocky or MountanousMountainous Country
seemingly at the most ^distant view you
behold a glorious Pair (which far
surpass all the other Actors) sitting
among the Rocks while the rest are
dancing below among Groves of Trees,
some also are represented with their
Wheels a spinning; all the while the
Music plays either Prince Charles’s
minuet
, or the Auld StewtsStewarts back
again
. At last descends from the Mountains 1228 (1228)
Mountains the Glorious Pair which
to appearance is a Prince and
Princess, then all the other Actors
retire on each side while the Roy-
al
Youth
and his FavoriteFavourite dance
alone so fine, in a word that the
whole Audience clap their Hands
for Joy: Then in a moment the Spin-
ning
wheels are thrown aside and
every Lad and Lass joynjoin in the Dance
and jirk1 it away as quick as possible
while the musickmusic briskly plays Over
the Water to Charlie
, a Bagpiper
being in the Band. In short it is so
ravishing seemingly to the whole
Audience that the People to ex-
press
their Joy clappclap their Hands
in a most extraordinary manner
indeed. By this you’lyou’ll have an Idea
of it, if you have not heard it be-
fore
; but in order to save the Op-
portunity
of CaptCaptain Dick who I am
told is just a going I write in such
a hurry that I have only Time to
say that I am with great Respect
to y.oyou your Family and all Friends
that know me
┙
Your most hum~humble Serv.tServant
Sic subrsubscributor RRalph Bigland
N: B: The above Transcript I made
out from the Original Letter, which 1229 (1229)
which Alexander Macmorland
favoured me with the Use
of on Tuesday, March 28th,
1749
.
Robert Forbes, A:M:

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Citation
Forbes, Robert. “Copy of Paragraph of a Letter (dated London March 3d 1748/9) from Ralph Bigland to Alexr Macmorland Peruke-maker in Leith.” The Lyon in Mourning, vol. 6, Adv.MS.32.6.21, fol. 61r–62r. The Lyon in Mourning Project, edited by Leith Davis, https://lyoninmourning.dhil.lib.sfu.ca/v06.1227.01.html.
Appendix
Possibly: "to make a sudden darting movement, dodge about" (meaning II).
Kaitlyn MacInnis

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